Iranian dissident filmmaker Jafar Panahi won the Palme d’Or at the Cannes Film Festival on Saturday for his revenge thriller “It Was Just an Accident,” handing the festival’s top prize to a director who had been banned from leaving Iran for more than 15 years.
Cate Blanchett presented the award to Panahi, who three years ago was imprisoned in Iran before going on a hunger strike. For a decade and a half, he has made films clandestinely in his native country, including one film (“This Is Not a Film”) made in his living room, and another (“Taxi”) set in a car.
The crowd rose in a thunderous standing ovation for the filmmaker, who immediately threw up his arms and leaned back in his seat in disbelief before applauding his collaborators and the audience around him. On stage, Panahi was cheered by Cannes jury president Juliette Binoche, who in 2010 in Cannes held up Panahi’s name to honor the director when he was under house arrest.
On stage, Panahi said what mattered most was freedom in his country.
“Let us join forces,” said Panahi. “No one should dare tell us what kind of clothes we should wear, what we should do or what we should not do. The cinema is a society. Nobody is entitled to tell what we should or refrain from doing.”
The win for “It Was Just an Accident” extended an unprecedented streak: The indie distributor Neon has now backed the last six Palme d’Or winners. The latest triumph for Neon, which acquired “It Was Just an Accident” for North American distribution after its premiere in Cannes, follows its Palmes for “Parasite,” “Titane,” “Triangle of Sadness,” “Anatomy of a Fall” and “Anora.”
All those films were Oscar contenders and two, “Parasite” and “Anora,” won best picture.
Last year, filmmaker Mohammad Rasoulof fled Iran to attend the premiere of his film in Cannes and resettle in Germany. Panahi, though, has said that unlike his friend Rasoulof, life in exile isn’t for him. He planned to fly home to Tehran on Sunday.
“It Was Just an Accident” was inspired by Panahi’s experience in prison. In the film, a group of former prisoners encounter the man who terrorized them in jail, and weigh whether or not to kill him.
Panahi was jailed in Tehran’s Evin Prison after going there to inquire about the then-jailed Rasoulof. Panahi was released in 2023 after going on a hunger strike.
In 2009, he was banned from traveling out of Iran after attending the funeral of a student killed in the Green Movement protests. Through those years, Panahi continued to make films illegally in Iran, without a permit, and had his films smuggled to festivals on USB drives. His travel ban was lifted after his release in 2023.
“The film springs from a feeling of resistance, survival, which is absolutely necessary today,” Binoche told reporters after the ceremony. “Art will always win. What is human will always win.”
The Cannes closing ceremony followed a major power outage that struck southeastern France on Saturday in what police suspected was arson. Only a few hours before stars began streaming down the red carpet, power was restored in Cannes.
“A day without electricity,” sighed John C. Reilly, who sang an English-language “La Vie En Rose” at the ceremony. The festival’s films, he said, supplied “all the needed electricity.”
Other winners at the 2025 Cannes Film Festival
The Grand Prix, or second prize, was awarded to Joachim Trier’s Norwegian family drama “Sentimental Value,” his lauded follow-up to “The Worst Person in the World.” Some had expected “Sentimental Value” to win the Palme, but Trier — whose film reunites him with actor Renate Reinsve — still took a major prize.
“We live in a time of tremendous excess and saturation of images. Moving images are being thrown at us all the time,” said Trier. “And I want to give homage to the Cannes Film Festival for being a place where the big cinematic image, which is the foundation of the moving image, the free image, the image that we take time to look at, the image where we can identify with each other in contemplation and empathy, to be cherished in this place in such a way is very important in this moment.”
Kleber Mendonça Filho’s Brazilian political thriller “The Secret Agent” won two big awards: best director for Filho and best actor for Wagner Moura. Though Cannes juries are generally urged to spread awards around, the two for “The Secret Agent” showed the jury’s strong feelings for it. Asked about the two prizes, juror Jeremy Strong explained, simply, “That was our wish.”
The wins, which followed the international film Oscar victory for Walter Salles’ “I’m Still Here” in March, gave Brazil more to celebrate. On X, Brazilian President Luiz Inácio Lula da Silva, said the awards “show that our country’s cinema is second to none.”
The jury prize was split between two films: Óliver Laxe’s desert road trip “Sirât ” and Mascha Schilinski’s German, generation-spanning drama “Sound of Falling.” Best actress went to Nadia Melliti for “The Little Sister,” Hafsia Herzi’s French coming-of-age drama.
The Belgian brothers Luc and Jean-Pierre Dardenne, who are two-time Palme d’Or winners, won best screenplay for their latest drama, “Young Mothers.” Its their ninth prize in Cannes. The festival’s award for best first film, the Camera d’Or, went to Hasan Hadi for “The President’s Cake,” making it the first Iraqi film to win an award at the festival.
What else shaped Cannes this year
Saturday’s ceremony brought to a close a 78th Cannes Film Festival where geopolitics cast a long shadow, both on screen and off. Shortly before the French Riviera extravaganza, which is also the world’s largest movie market, U.S. President Donald Trump floated the idea of a 100% tariff on movies made overseas.
Most filmmakers responded with a shrug, calling the plan illogical. “Can you hold up the movie in customs? It doesn’t ship that way,” said Wes Anderson, who premiered his latest, “The Phoenician Scheme” at the festival. At the opening ceremony, honorary Palme d’Or recipient Robert De Niro called Trump “America’s philistine president.”
Other top American films in Cannes included Spike Lee’s “Highest 2 Lowest” (which pulled Lee away from his New York Knicks but not out of their blue and orange color), the Christopher McQuarrie-Tom Cruise actioner “Mission: Impossible — Final Reckoning,” and Ari Aster’s “Eddington,” which found a divisive reaction.
Panahi’s win put him in rare company. He’s now won Cannes’ Palme d’Or, Venice’s Golden Lion (for “The Circle”) and Berlin’s Golden Bear (for “Taxi”). Only three other filmmakers have done that: Henri-Georges Clouzot, Michelangelo Antonioni and Robert Altman.
Addressing reporters after his win, Panahi spoke about filmmakers and artists always being able to find a way, “even in complicated situations.”
“They must realize that no powers that be can halt such people in their tracks,” said Panahi. “You have this power.”
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Jake Coyle has covered the Cannes Film Festival since 2012. He’s seen approximately 40 films at this year’s festival and is reporting on what stands out.
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